Stage Name
On becoming the image
A lot of people dream about becoming famous when they’re young.
And honestly, I understand why.
When you’re a kid, fame doesn’t look lonely or strange.
It looks like freedom, recognition and meaning. Proof that your life mattered somehow.
So “Stage Name” starts there.
A kid with a dream that slowly becomes her entire identity.
“She was a city girl, with a mother fuckin’ dream
She had to be the best, the world had ever seen”
At first it’s exciting because the dream is still connected to something real: music, creativity, expression, possibility.
But over time the dream starts replacing the person underneath it.
That’s the shift the song is really about.
Not success itself.
The moment where a human being slowly becomes trapped inside an image.
“She had everything she wanted, but her life had fuckin’ changed
Didn’t know to answer when they called her by her real name”
That line was probably the center of the whole thing for me.
Because that’s the point where the dream stops feeling like something she has and starts feeling like something she serves.
She was a city girl, with a mother fuckin’ dream
She had to be the best, the world had ever seen
Told her dad, when she was only 6
Sat him down, and said it like this
I know it’s crazy
But i’m not a fool
I’m gonna be a star
For ten fuckin’ years, she practiced day and night
Until she laid a beat, and it was outta’ sight
It was then she knew, that the world was hers
She told her friends, and she used these words
I know it’s crazy
But I’m not a fool
I’m gonna be a star - listen to this - baby!
From that moment on, her life was never the same
She soon had 60,000 kids fuckin’ screamin’ her name
When they asked her on the TV, what made her tick
She gave the same story that she always did
I know it’s crazy
But I’m not a fool
I’m gonna be a star
She had everything she wanted, but her life had fuckin’ changed
Didn’t know to answer when they called her by her real name
Missed her family, and the way it used to be
Now she’s living on the run from her so called fantasy
I know it’s crazy
But I’m not a fool
I’m gonna be a star - listen to this - bitch!
She moves from place to place, afraid to leave the fuckin’ room
Doesn’t want the audience to know what she is doin’
She looks in the mirror, with tears in her eyes
But all that she can think of is the same reprise
I know it’s crazy
But I’m not a fool
I’m gonna be a star
The joy is gone, there’s nothing left to see
The only escape, is to fuckin’ OD
She wakes up in the hospital, she doesn’t know why
When they ask her how she feels, she can only reply
I know it’s crazy
I’m not a fool
(Ad nauseum)
And once that happens, there’s almost no way for the outside world to notice the difference.
They still see the star.
Even while the actual person underneath it is disappearing.
Which feels very Fabricated Worlds to me.
A place where the image eventually becomes more real than the person.
From Fabricated Worlds


I’m constantly puzzled by the amazing and talented musicians who “choose” to change their name. Is that a marketing strategy/tactic? Does that imply that somehow their birth name negates or diminishes their artistic potential? Really???
Hey Kevin hows you- great piece here. its interesting how even some age that need doesnt leave people even if they’re in their 69s but they somehow get by and make a living. but i like the chorus
I know it’s crazy But I’m not a fool I’m gonna be a star - listen to this - bitch!
and listen to it we shall.